by Katie Lewis
Often books and conferences for writers focus on the big parts of stories, such as plot, characters, pace, dialogue, etc.
I tend to approach writing in the opposite manner. Specifically, that the best writers are those who start from the smallest of details and build upward. My logic is that if they’ve taken the time to imagine a single, spot-on gesture, they’ve thought through the characters and story with equal care.
In the short story collection titled Cheers, Somebody, author Katie Lewis consistently nails the minute details that make the characters and their interactions real. Often simply admirably precise, other details are appropriately blunt and crass, while others are painfully truthful. Together the constant and consistent attention to the smallest parts of each story quickly create the mini-universe that is a short story, while also providing that necessary spin of uniqueness on common themes of love, loss, conflict and culture.
Choosing an example from the multitude is difficult, but here’s one from the first story for which the book is titled:
Collins danced his empty cup on the table, making a pock-pock-pock noise with the indented bottom’s echo until Stew placed his hand on top of the cup to make it stop.
The author continues that careful attention to detail throughout the story’s dialogue. Here’s an example from Ink J, the story I found most powerful.
“I, uh, I don’t know how to bring this up,” Bilson after several silent minutes of chewing rubbery licorice. “Not ‘I got news today’ or ‘Here’s something,’ but, well, I suppose. Anyway. I found out today that my college roommate died.”
While I’d term most of the stories accessible literary, a few stretch the mind, including a dystopian love story and a tale that uses brief and highly intimate scenes to portray the narrator’s relationship, seemingly with one man.
And that’s where I’ll leave the mystery!
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#writing #literaryfiction #katielewis #fiction #shortstories