by Melanie Faith
I grew up in Chicago and about once every winter would wake up to a mountain of snow outside my window and more falling by the minute. At that moment, utter delight would shoot through me, because I knew this would be deemed a snow day and school would be canceled. That’s the same transformation — from this-will-be-good-for-me to fantastic! — that occurred upon reading the first page of this book.
I assumed by the title I’d be learning how to use photography to better market my next novel via social media. What an utterly fantastic thing to learn that the goal of the book is not to make us writers work, but instead invite us to play! That by messing around with photography, we can explore and improve our writing tenfold.
What a powerful concept!
We creatives tend to think we’re creative in one area or another. We’re writers, but not painters, or vice versa. Whereas this book espouses that people who create do so across their lives, so using one medium of creativity to fuel another makes perfect sense.
Rather than think of ourselves as just writers, we should consider broadening our self-image to think of ourselves as photographers, too. I have no idea why that didn’t occur to me before! I love photography, yet would never have considered submitting a photograph for publication, until now.
The chapters are flash-fiction-brief in the best way possible. Melanie uses a single, often humorous, anecdote from her personal or professional life as an all-around creative to illustrate one main concept, then ends with a writing and photography prompt. Such brevity encourages thought about basic, yet potent, concepts. For example, don’t worry about equipment. Use whatever camera you’ve got. And rather than worry about composition, take photos that snag your interest, then go back to look at why the image called out to you.
While I read the book once chronologically, I plan to use it as a long-term resource I can dip into regularly to flush my work with new creativity, almost like visiting a spa for writers!
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