I was happy to receive an advance copy of this book. I was even happier to truly appreciate the author’s restraint when it comes to telling vs. showing.
I’m not a fan of books that explicitly tell me everything, which implies I’m too stupid to figure things out for myself. Carolyn R. Russell, on the other hand, doesn’t make that mistake in this new YA dystopian thriller, In the Fullness of Time. Instead, she has confidence in the intelligence of her young readers and drops them into the States — a filthy, overpopulated urban environment — right behind the story’s teen protagonist, 17-year-old Somerset, where they have to fend for themselves just as she does.
The slang and terms used immediately create a sense of claustrophobia, both physically and emotionally. In this world, only the children of the elite go to school, where they’re fed propaganda. Somerset is one of the few who reads the “old-timey flatbooks” from the Lost Ages to learn how the world could have changed so drastically. She’s also one of the few who has access to Hydracomputers. She’s afforded such privilege because she’s one of the privileged, a status she despises.
The only hope of getting fresh air in this chokingly-controlled society is for Somerset to follow the trail of mysteries that begins on the first page when she snatches up a little girl who falls amongst the street masses and is almost trampled. By showing such compassion for innocence, and such intolerance for the few privileged at the top, Somerset reveals the bravery and independent spirit of a true hero.
Wearing her clerical robes, Somerset clandestinely performs acts of rebellion with her antiauthoritarian friends. With every action she takes and every questions she asks, she forges ahead to expose the government’s criminal acts, both in relation to the masses’ cheap food source, ‘Brix, and the mysterious means of Revving, an act the government bills as a spiritual transformation and that Somerset suspects leads to a much darker outcome.
At some point I plan to write a book about showing vs. telling, probably the trickiest aspect of writing anything. When I do, I’ll call upon such examples of how to respect readers’ intelligence.
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